Golden Gate Bridge

The Subject of Scenes

Every fiction writer struggles with scenes, occasionally, and each writer has certain types of scenes that are the most troublesome, according to his or her strengths and weaknesses. One writer may have difficulty writing scenes with lots of action. Another may fret over scenes with nothing but dialogue. But sometimes a scene is difficult not because of the writer’s abilities, but because of the scene’s subject matter.

Currently, I’m struggling with one of the most difficult scenes I’ve ever written. The reason is that it’s a seriously important and emotional subject. It needs to be the absolute best I can make it.

In the first book of the Dynamistress trilogy, Dyna becomes a suicide prevention crisis counselor, as I was, myself, for a time. My treatment of that subject in the first and second books was pretty superficial. But in the third book, I wanted there to be something more. So I have a scene where she encounters a would-be jumper on the Golden Gate Bridge.

#1 suicide destination in the U.S.

Now, Dyna is strong enough to ¬†easily just grab the jumper and hoist him back over. But that’s not addressing the problem. It’s like “treating” an alcoholic by removing all the beer from the fridge. I knew I needed to show what a suicide prevention counselor actually does, but with Dyna’s own particular flair. The danger, of course, is keeping the flair to a minimum and treating the topic with the seriousness it deserves.

I first wrote the scene about a month ago and thought I had it done to the point of being happy with it. But the back of my mind said differently. So, a week ago, I rewrote sections of it, improving the scene greatly. But no, I still wasn’t done. I’ve spent probably two full hours just on that scene this weekend.

I’m still not totally happy with it and no doubt will revisit it at least a few more times before the book is finished. ¬†And it’ll be worth it.

Posted by vmwales in Details, Editing, 0 comments