As many creative people are, I’m pretty protective of my intellectual property. In this case, that means the stories I write and the characters who live them. I make no secret that I’m not crazy about “fan fiction,” even though I understand where the desire to write it comes from. Heck, in my youth, I made my own attempt at fan fiction in a story blending the Star Trek and Star Wars universes. Of course, it didn’t take long for me to abandon the tale, given how wildly different those universes are. After that, I never tried it again. For those who insist on writing it, feel free. But don’t for a minute think about publishing it.
Of course, there are those out there who will disagree with me on all of those points, including the last one. Because what is an unauthorized sequel to a book by a different author other than fan fiction?
Here’s one example.
Margaret Mitchell died decades before this thing was published:
Another writer, though, didn’t have the decency to wait. Here’s another one you probably know:
Salinger was still alive when the sequel was published in Sweden and was in the process of suing the publisher at the time of his death. A lot of things have been said about the book… that it’s not really a sequel, but a parody; that it’s a literary criticism of the original; and that it actually reads like fan fiction. (*ahem*) I wouldn’t know, since I have no intention of ever reading it (having not enjoyed Catcher in the first place). However, even though I wasn’t a fan of Catcher, I was opposed to this book for the same reasons Salinger was: I didn’t feel “J.D. California” had any right to publish it in the first place.
Now, there are plenty of sequels out there written by people other than the original authors, done with the approval of the copyright holders of the originals (the James Bond novels published after Ian Fleming’s death, for example). Some, I hear, are quite good.
My experiences have been less than stellar. Frank Herbert’s Dune series is, in my opinion, incredible. The Dune books by Frank’s son, Brian Herbert, and Kevin J. Anderson don’t really do it for me.
But a recently published work has me reconsidering my refusal to partake in such sequels again. I’m referring to The Girl in the Spider’s Web. Written by David Lagercrantz, it continues the “Millennium” series of books by the late Stieg Larsson, which gave us the character of Lisbeth Salander – for my money, one of the most compelling characters ever written. It is that love for the character that made me consider reading it, while at the same time being afraid to.
Amazon reviews currently show it with a four-star rating, after some 1600+ reviews. That’s not bad. I tend to read negative user reviews first, and some of the complaints do give me concern, but they are so overshadowed by positive reviews that I’m willing to overlook them.
In the end, one factor has led me to decide to read it. I skimmed the first few pages using Amazon’s “look inside” feature, and learned that one of the minor characters is a young autistic boy who has yet to speak his first word by age eight. As it happens, I now have a young autistic boy in my life who has an essentially non-existent vocabulary at age seven. So, yeah… I think I’ll give it a shot.